Doors to the Storytelling Court open at 8pm and people start walking in. A live, human audience—not just the figments of my imagination I’ve addressed during our practice runs! This is exciting.

John gives a brief introduction, the lights dim, the projections and the music come on. Annie and I walk to the front and wait for the images and music to fade. We each speak our part. I introduce each narrative section, making the link to the longer accounts from which these have been extracted as well as the fabric of history and culture within which these conversion stories are embedded.

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I first came across Annie George and her work in theatre and film when she got in touch with me while researching the history of Christian communities of the South-west Indian state Kerala for a play she was writing. When The Bridge was advertised (www.anniegeorge.wordpress.com) I could see some historical and thematic resonances with our project topic and got in touch with her. Would she be interested in developing a play based on the many first-hand accounts of conversion we’d unearthed as a project team?

Annie was indeed interested and so began our several long conversations on autobiographical narratives left by converts to Christianity in colonial India,

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